Lisa Frankenstein

If you can't meet your perfect boyfriend…make him.

🧙‍♀️
🤣
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6.3

Overview

In 1989, a misunderstood teenager has a high school crush — who just happens to be a handsome corpse! After a set of playfully horrific circumstances bring him back to life, the two embark on a murderous journey to find love, happiness…and a few missing body parts along the way.

Release Date

February 7, 2024

Budget/Revenue

They had $13,400,000 on making this film, and they earned $9,930,000 in total. That means they made profit around -$3,470,000.

Reviews

1

Horseface

September 13, 2024

A horrible movie written by an empathetically void and morally bankrupt sociopath. In the beginning quirky with a torrent of jokes that all fall completely flat. Lighting done by what must be a blind diversity hire, as we almost can't see what's going on 90% of the time. Then, our supposed protagonist becomes a psychopathic serial murderer, which apparently is not only okay, but something to laugh about and root for. Anyone crosses Lisa the slightest, they're fair game for being murdered and then mocked and their death celebrated with laughs and dancing. I haven't seen anything this morally decrepit since Natural Born Killers, but that movie was an ironic critique of pop culture and the media's obsession with death and violence. This "movie" just plainly celebrates the same psychopathic behavior unironically and unapologetically. Ew. That this filth can be produced today without someone not insane stopping it along the way worries me. I'd rather have my children watch The Texas Chainsaw Massacre than this insane on-screen feces.

5

r96sk

March 8, 2024

There are glimpses of goodness, though so short they don't hide the film's frailties. <em>'Lisa Frankenstein'</em> is, in my opinion, a disappointment. I can kinda see what they were going for and at times I could appreciate it, but all in all it doesn't really work for me. I will say the pacing isn't actually that bad, the film went by relatively quickly. The two big weaknesses to me were the dialogue and simply the story in general, both are rather quite dull... if they weren't, I may have enjoyed this. The cast are one of the film's more positive features. I like Kathryn Newton, I remember thinking she was great in the similarly underwhelming <em>'<a href="https://letterboxd.com/film/freaky/" rel="nofollow">Freaky</a>'</em> from 2020, and she does try with what she's got to work with here. Carla Gugino is possibly the standout, I would've liked to have seen more of her. Liza Soberano is alright, while Joe Chrest plays a literal continuation of his Ted Wheeler. I will say that I felt the film did slightly improve towards the end, just not enough for me to say that I had a good time watching it unfortunately. I got to see this in <em><a href="https://letterboxd.com/r96sk/list/watched-in-an-empty-cinema/" rel="nofollow">an empty cinema</a></em>, which is always nice. I see this got released basically a month ago everywhere else, wonder why the UK got it so late. I guess as there seemingly aren't as many films out right now due to that sandworm movie <a href="https://letterboxd.com/film/dune-part-two/" rel="nofollow">thingy</a> taking over? Who knows.

6

CinemaSerf

March 4, 2024

"Lisa" (Kathryn Newton) is a bit of a loner who lives in one of those second families where her rather feeble dad (Joe Chrest) has married the rather vain and odious "Janet" (Carla Gugino) who has a friendly daughter "Taffy" (Liza Soberano). At school, she has taken a shine to floppy-haired heart-throb "Michael" (Henry Einkenberry) and he seems to be a little interested too. Might romance blossom? Suddenly a lightening strike changes everything. The long-dead occupant of a grave she habitually sits beside when she is reading (Cole Sprouse) is electronically reinvigorated and finds his way into her home, her wardrobe and now, as with "ET", she has her own secret creature in the closet. Thing is, there are bits of her new friend missing - his ear, his tongue, his hand (that's not a comprehensive list!) - so the ensuing escapades mix science with comedy and some good old doses of vengeance as they try to restore him to his former, piano playing, glory. It could have been much more fun, this, if it had committed to the audience one way or the other. It's clearly gone for a wide appeal and so compromised on the darkness and adult nature of the humour. Many of the scenarios - especially at the the rather brutal and eye-watering conclusion, could have worked so much better had Zelda Williams aimed the movie more at those who could appreciate the dark comedy rather than dilute it down to something akin to a frat-comedy. It's better than I was expecting, and Newton does fine as the film progresses, it's just a shame it didn't really know were to go or who it was for.