#MovieReview #OneLifeMovie Deciding to watch "One Life" with a group of young boys turned out to be a challenge, as they were not keen on sitting through a historical film. Despite the initial hesitation, the movie proved to be a captivating true story that left a lasting impact. The film follows the remarkable journey of a man from England who lived to the age of 106 and dedicated his life to a refugee rescue mission, saving nearly 700 children. The emotional core of the story comes to life when these children, now adults, reunite with the man who changed their lives on a television show, expressing their heartfelt gratitude. Set against the backdrop of World War II and the atrocities of Hitler, "One Life" offers a poignant and powerful narrative that showcases the resilience and compassion of the human spirit. While it may not be a blockbuster film that demands a trip to the theaters, it is a movie worth watching for its historical significance and moving storytelling. Led by the talented Anthony Hopkins, the cast delivers compelling performances that elevate the film's impact. "One Life" is a reminder of the importance of kindness and courage in the face of adversity, making it a worthy choice for those seeking a meaningful cinematic experience.

For some of us, there’s no stopping when it comes to seeing through on a mission of vital importance. So it was in 1938, when a dedicated English stockbroker selflessly enabled the successful escape of 669 children (mostly Jewish) from Prague not long after the Third Reich “annexed” Czechoslovakia’s Sudetenland region, the first step toward Germany’s invasion of the country and the eventual onset of World War II. British-born Nicholas Winton (Anthony Hopkins), the descendant of German Jewish ancestors, and members of the British Committee for Refugees from Czechoslovakia both on the ground and in London worked tirelessly against seemingly impossible odds to facilitate the youngsters’ flight to freedom. In particular, Winton’s younger self (Johnny Flynn) and his determined mother (Helena Bonham Carter) battled a reluctant British bureaucracy, intolerant prejudicial attitudes and border-crossing obstacles to arrange protective train transport across Europe to secure the safety of the young refugees. But, for all of Winton’s successes, he felt remorse that he was unable to do more, especially when he looked back on what he accomplished 40 years after the fact. Thankfully, his efforts didn’t go unnoticed, at last receiving the recognition for what he did, earning him the gratitude of the survivors and the honors of a grateful nation, in essence becoming the UK’s counterpart to Oskar Schindler. Director James Hawes tells a compelling story in his debut feature film, though the execution, regrettably, could use some shoring up, especially in the film’s sluggishly paced, overly talky and occasionally meandering opening half. The picture’s back end, however, considerably makes up for these deficiencies, evoking genuine, well-earned, heartfelt emotions, qualities that could have made for a better release overall if they had been employed more fully earlier on. This is largely made possible by the powerful performances of Hopkins, Flynn, Bonham Carter and a host of supporting players, along with fine period piece production values. “One Life” ultimately delivers a message that we could all stand to hear more often, not only in supporting monumental undertakings like those depicted here, but also in being giving of ourselves in general, no matter how great or small the efforts or ventures might be. The world would certainly be a better place for doing so – and for the work of the Nicholas Wintons that reside within all of us.

A touching picture featuring Anthony Hopkins. <em>'One Life'</em> is <em>'<a href="https://letterboxd.com/film/schindlers-list/" rel="nofollow">Schindler's List</a>'</em>-esque, though perhaps more of a grounded portrayal of such events without the proper Hollywood-ness drama that that aforementioned flick holds; no hate on that sensational Steven Spielberg production by any means, it's a far better film in fact. This 2023 release is very hearty though, one of those movies where it is impossible not to care for the people onscreen. There are plenty of emotional scenes that touch the feels, with one involving Hopkins right at the end particularly hitting. That man is excellent throughout, as expected. Johnny Flynn impresses too, he is just as important here as the Welshman. Helena Bonham Carter is a little underused, especially given she's on the cover, but very good. Neat to see Jonathan Pryce appear, also. I actually remember seeing that real <em>'<a href="https://en.wikipedia.org/wiki/That%27s_Life!" rel="nofollow">That's Life!</a>'</em> clip randomly on YouTube many years back and I didn't realise until just before it's portrayed here that it was reenacting that exact moment. Whether you watch this film or not, <a href="https://www.youtube.com/watch?v=6_nFuJAF5F0" rel="nofollow">that video</a> is truly a must-watch.