If it's got wheels, then Ryan Gosling's nameless character can use it. When he is not doing triple rolls as a movie stunt-man, he is being the freelance getaway driver for criminals who need a reliable man to get them out of trouble. His friend "Shannon" (Bryan Cranston) fancies himself as a bit of a motor sport aficionado and suggests to his wealthy (and pretty crooked) pal "Bernie" (Albert Brooks) that he chip in $300k so they can start a team. Just as that's all getting on track, the driver starts to get the hots for a neighbour "Irene" (Carey Mulligan) and so engineers a meeting with her and her young son. She's not without her own baggage - but he (Oscar Isaac) is incarcerated for the moment and so their relationship burgeons. When he gets out of jail her boyfriend needs help with a petty robbery at a pawn shop. That goes pear-shaped and next he knows he has a corpse, a bag of mob money and just about everyone on his tail. He needs to keep her safe and stay on his toes for quite an exciting and action packed last half hour that sees this meticulous man fighting for survival. It's all about Gosling this film, and he owns the screen. His charismatic effort as the wheels works well throughout and as the thing stealthily gathers pace, he delivers confidently. Mulligan doesn't really feature so often to make that much of a difference, but essentially it's a one-man show and that weaves the threads of greed, corruption and romance entertainingly.

If you take out the staring and slow motion scenes in the movie, you're left with an hour or less. I liked it in general, but it wasn't as good as it was hyped. It could have been shot at a much faster pace with a different director. Ryan Gosling may be like this, but he looks extremely tense throughout the whole movie. If we write down the dialogues he says in an hour and a half on a piece of paper, it wouldn't even be a page, there are no facial expressions either. That's how anyone can become an actor and act. There is nothing special about the movie except the music. I watched the movie years later just because I loved the intro music so much.

Drive is a cinematic triumph that delivers an unforgettable ride from beginning to end. While the storyline may seem simple at first, the film's attention to detail and intricacy of world-building truly sets it apart from the rest. Every character introduced has a connection to the crime world that is slowly pieced together, creating a puzzle that's both engaging and intriguing. This aspect of the film is truly captivating and highlights the excellent writing. What's more, the family elements of the movie really shine. Ryan Gosling delivers an outstanding performance as a protagonist forced to do bad things to survive. However, the connection he forms with the family across the hall is heartwarming, slowly evolving from a romantic interest to a bond of familiarity and care. In the meantime, Oscar Isaac also gives a remarkable performance as a character initially portrayed as off-putting and egotistical, but whose love for his family slowly emerges as the movie progresses. His character's desire to get out of the criminal life and make good on his past mistakes is admirable and heartbreaking. As the story unfolds, the movie takes a dramatic turn, introducing graphic violence and jaw-dropping moments that are genuinely wild. It accelerates to full speed, never letting up, and keeps you on the edge of your seat until the very end. The movie's unique 80s aesthetic is also a standout, even though it takes place in modern times. It is visually impressive, especially when combined with the superb cinematography. Overall, Drive is a movie that gets so much right and turns a seemingly generic formula into a film that is truly special. Its superb storytelling, memorable characters, intense action, and unique style make it a must-watch for any cinephile. Score: 92% 🏅 Verdict: Excellent