Yikes, but this is bleak! Many years after some disaster has struck down American civilisation, we meet a man (Viggo Mortensen) and his curious young son (Kodi Smit-McPhee) who are trying to make it from the wooded hinterland to the coast in the hope that things might be better, and hopefully warmer, there. At least the ocean ought to add a bit of blue to their remarkably dull surroundings. They do have guns, but only two bullets which he is saving for emergencies should they encounter any of the other survivors from this apocalypse who might just decide that either or both of them are fare game. There is plenty of water, but a distinct paucity of food and so this is a continuing struggle to feed themselves and to stay alive. The young lad has never known any other kind of life so rather stoically, initially at least, follows as instructed. Dad, on the other hand, has memories - and those of his wife (Charlize Theron) provide him with the occasional succour as he realises, as do we, that things are not looking great for this pair - or, indeed, for humanity in general. There’s an engaging dynamic here between the two travellers; the photography goes some way to creating the cold and barren environment through which they wander and the very nature of story ensures that we are not constantly awash with excess dialogue as their journey speaks for itself. There’s a touching, if brief, contribution from Robert Duvall that proves surprisingly effective as the pair come more to terms with their situation, too. It’s a slow burn, this film, but that’s a good thing as we find ourselves increasingly immersed in something that I felt inevitable, chilly and unpredictable. I haven’t read the book, but this uses it’s imagery to tell a poignant story and is well worth two hours that can’t be that far distant from the original text.

**The Road paints a grim and genuine picture of the dangers and greed of a world surviving the collapse of society and hope.** The Road is a realistic and super depressing depiction of a post-apocalyptic world. Viggo Mortensen’s portrayal of an unyielding father doing whatever he can to keep his son alive and prepare him for survival is gripping and powerful. This movie made me want to hold my kids close, hug them tight, and thank the Lord we don’t live in that situation. Because of the gritty and gloomy atmosphere and subject matter of the film, it is not a movie I can say I enjoyed, but it was incredibly well done and well acted. The ending seemed pretty hopeful and easy compared to the rest of the film, which was disappointing and comforting as it felt unearned but also eased my concern for the characters' future. I will not revisit The Road, but I’m glad I have seen it.

_**Grey, maudlin post-apocalyptic drama with some horrific thrills**_ After a mass extinction event, a man & his son (Viggo Mortensen and Kodi Smit-McPhee) walk from western Pennsylvania to the Southeast coast trying to survive a life-or-death situation in a world without laws as people prey on each other. Charlize Theron, Robert Duvall, Guy Pearce and Molly Parker show up for small parts. Based on Cormac McCarthy’s final novel, "The Road" (2009) is similar to “Carriers,” released almost three months earlier. Unlike semi-goofy post-apocalyptic films like the original Mad Max trilogy, "The Road" and "Carriers" are deadly serious from beginning to end with no comic book nonsense. This works in their favor because both films give us a window into what life would be like after a worldwide crisis destroys conventional society. Each film explores one's reaction to such a world-ending disaster: Do we forsake all sense of morality in an attempt to survive – lie, steal, forsake and murder – or do we hold on to our moral compass, come what may? Is life worth living if you must become an immoral, wicked savage to survive? Isn't it better to live with dignity at all costs – fight with nobility and die with dignity when and if we must? Some denounce both flicks on the grounds that they’re too downbeat and depressing, but wouldn't a lawless world be a very dire situation? In other words, the downbeat vibe reflects the reality of the story. However, “Carriers” is the superior of the two by far. “The Road” is tediously one-dimensional and unrelentingly somber. Plus the dynamics of the father & son are boring with the annoying boy almost singlehandedly ruining the movie. They needed to find a girl or a woman to shake things up – anything to dispel the grey monotony. The film runs 1 hour, 51 minutes, and was shot mostly in western Pennsylvania & West Virginia (the towering bridge), plus Oregon and Spirit Lake near Mount St. Helens, Washington (the log-jammed lake). GRADE: C+