Thoroughly fascinating to watch this unfold. <em>'BlackBerry'</em> reminded me a lot of fellow 2023 flick <em>'Air'</em>, two movies that were in fact released within months of each other interestingly. Both are great watches, with this being one I particularly enjoyed. It's super well put together. The two hours go by fast, the story is presented in such a way that there wasn't a single moment I was even the slightest bit uninterested - there's a great flow to proceedings. Jay Baruchel is excellent throughout, so is Glenn Howerton. The whole cast do good work, amusing to see SungWon Cho (aka ProZD) appear too! I remember BlackBerry being huge at my high school back in the day, though based on the timeline shown in this movie it was very much during the company's spiral - guess our parents couldn't afford iPhones at that point!đ I am still yet to own an iPhone mind you, guess I'm in the severe minority with that one. I did own a Blackberry though and I'm with Lazaridis: keyboard >>> touchscreen, all day! Same goes for buttons >>> sensors for TVs, while we're here. I'm stuck in the dark ages, I know I know. Tangent over, this is a quality film!
The downfall part is a bit sudden as compared to the first 2/3 of the film, but still a very fun watch.
With the release of such innovative communications products as the Apple and Android smartphones, questions began to circulate about the future viability of onetime market leader BlackBerry, a line of devices that subsequently went into rapid decline. Ironically, that real-life business world narrative itself raises comparable questions about the viability of a movie that tells the BlackBerry story. Nevertheless, writer-director Matt Johnsonâs third feature outing brings the ill-fated account of the rise and fall of this Canadian-made smartphone company in the global telecommunications marketplace. Seeing how the company was run, however, it probably shouldnât come as any surprise why it ultimately failed â shady financial management, ego-driven unbridled greed, undisciplined employees and constant managerial scrambling to remain competitive, despite some surprisingly savvy marketing aimed at making the BlackBerry an enviable status symbol, especially among business clients. But is this kind of material really sufficiently engaging for a feature film? I sure donât think so, especially since itâs about a company and product that ultimately flopped. Itâs a cinematic exercise akin to âThe Gang That Couldnât Shoot Straightâ (1971) trying to take on Silicon Valley giants. The film also gets exceedingly technical at times, making for a film that cyber nerds may find awesomely cool but that casual viewers are likely to see as tedious and confusing. And, by the pictureâs second half, with the handwriting on the wall and the parade of unending snafus continuing, itâs difficult to maintain interest in how events unfold and eventually play out. To its credit, this release features some fine performances, most notably by Saul Rubinek, Michael Ironside and Independent Spirit Award nominee Glenn Howerton, as well as an excellent and often-ironic soundtrack. However, in a larger sense, âBlackBerryâ also represents a somewhat disconcerting trend in movies thatâs gaining traction â films based on the back stories of products and businesses. Besides this offering, 2023 also saw the release of films about sneakers (âAirâ), videogame retailing (âDumb Moneyâ) and even snack foods (âFlaminâ Hotâ). While thereâs nothing inherently wrong with pictures about business and commerce, these offerings are innately little more than two-hour feature-length commercials for their wares. Indeed, are these commodities becoming our new screen idols? It calls to mind actor Paul Newmanâs observation years ago about the emergence of a robot and a shark becoming our new movie icons, but, as different as they were, even they werenât as shamelessly commercial as these new contenders are. Releases like this should indeed give us all pause to think about what kinds of movies we want to plunk down our hard-earned money to watch.
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