Unwatchable. This is one of those new Hollywood movies where they've hired a blind person to shoot and/or edit the footage. Some kind of "equity" thing. Or "inclusion." Either way, you can't see a thing. It's dark as a nursery. I think there's a guy in the beginning in a bar, but it might be a church or a forest with some kind of table. He or she gets into a brawl and I think they take it outside, because it's like there's sunshine, except it's a 5-watt sun. Could be the basement actually. Not sure. Bottom line. Save your money. It's just two hours in an unlit basement. Literally nothing to see here, folks.

“The Bikeriders” offers a gritty and atmospheric portrayal of a Midwestern motorcycle club’s transformation over a decade, capturing both the allure and peril of a subculture defined by rebellion and camaraderie. Written and directed by Jeff Nichols, the film delves into themes of loyalty, brotherhood, and the evolution of identity amidst a changing America, and features terrific performances from Jodie Comer, Austin Butler, and Tom Hardy. While not a true story, the movie is inspired by a 1963 photo essay and book by Danny Lyon, a photographer who spent time with the Chicago Outlaws riding club in an effort to document the life and times of the American biker. Nichols creates a fictional world inspired by a culture that was a very real part of the Sixties. Set against the backdrop of a tumultuous era in American history, the film introduces bad boy Benny (Butler), a newcomer to a local motorcycle club called the Vandals. Led by the enigmatic Johnny (Hardy), the club initially serves as a sanctuary for misfits and outsiders seeking a sense of belonging in a world that seems to have left them behind. In other words, Benny fits right in. Most of the narrative revolves around his complex relationship with the strong-willed Kathy (Comer) and the tug of war that ensures between Benny’s allegiance to the club and his feelings for his old lady. It’s a story of love, loyalty, identity, and brotherhood that’s filled with power struggles and eventual violence, and Nichols captures the heart of his narrative as the club and its members undergo a transformation that spans roughly a decade. The evolution of the characters can sometimes feel a little too predictable, but Nichols captures the spirit of the time with a sometimes-subtle (and sometimes not) exploration of the motorcycle club subculture and its various intricacies and complications. One of the more surprising things I liked about this film is how it romanticizes masculinity in a way that’s reminiscent of classic Hollywood. Benny is a Brando type, with a rugged individualism that’s more muted than overpowered with a showy bravado. These are rugged, tough men, who abide by an unspoken code of brotherhood. It not only makes the characters more appealing, but it also adds to the authenticity. Nichols visually captures the essence of his film’s setting too, immersing viewers in a world where leather-clad riders navigate the open road despite the turbulent dynamics within their own ranks. The production design and cinematography are a perfect fit, both working in tandem to enhance the gritty realism of the biker world and the allure of rebellion. Anchored by solid performances and a nostalgic portrayal of American masculinity, “The Bikeriders” gives an effective and entertaining look at motorcycle culture. By: Louisa Moore / SCREEN ZEALOTS

When I first saw the media for this show, I wondered why they were remaking Outsiders. Ponyboy is more of a stone cold killer in this. Nostalgia...for a better time! When men could just hang out with men, wear leather, drink beer, do meth, rape women...technically not rape as the women consented by hanging out with the men, and ride bikes. Simpler times. This is the world of Bikeriders. Classic America. It's well done. Acted. Good to see Michael Shannon. I enjoyed it but I don't know if I recommend it. Seems pointless. Maybe: Accept and don't be mean to the youth else they'll murder you when they take over. Bikes are cool.